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104                              Quick Guide for the Impatient User


           Macro  – This  means  “it  can  focus  closely”.    Macro  lenses  are  ideal  for
           taking pictures of insects and other small objects which fill the frame.
           Reflex  (Also  called  “mirror”  lens)  -  This  means  the  lens  is  designed
           primarily using curved optical mirrors rather than lenses.  This is similar to
           the  design  of  large  observatory  telescope  lenses.    Reflex  mirrors  are
           incredibly  lightweight  and  small  compared  to  their  pure-optical  brethren.
           And it should be noted that Sony / Minolta offers (well, used to offer) the
           ONLY autofocusing Reflex lens in the world – the 500mm f/8.  (And since
           Sony  offers  in-body  stabilization,  you  could  say  it  was  also  the  world’s
           only image-stabilized autofocusing Reflex lens in the world.) Because this
           is a fixed aperture f/8, the Sony specs say that it should work OK for stills
           but the aperture is too small for video and  12 pictures-per-second  mode.
           My tests show that it DOES work for video (although the focusing isn’t the
           smoothest thing in the world) but doesn’t seem to work on the high-speed
           shooting mode.
           RS  (Restyled  –  Minolta  only)  –  This  means  that  Minolta  took  an
           established  optical  design  and  “updated”  the  housing,  incorporating  new
           features like “D” (distance) encoding and/or faster focusing mechanism.

           3.12.4      FREQUENTLY ASKED QUESTIONS ABOUT LENSES
           Q: Gee, that’s an awful lot of nomenclature!  Was someone drunk when
           they came up with this stuff?
           A: Hey, that’s nothing – you should see Nikon’s lineup, which includes an
           18-200mm f/3.5-5.6 G ED-IF AF-S VR DX lens .
            Q: “What lens shall I get?”

            A:  Let  me  tell  you  a  story.    Many  years  ago  I  had  a  friend  who  was
           dissatisfied with the photographs from his point-and-shoot.  Because he had
           lots of disposable income, he went and bought one of the most expensive
           cameras available, with lots of lenses and flashes.  Later on he complained
           to me that the pictures with his high-end camera were no better than what
           he  was  getting  before.    “Maybe  I  should  have  invested  in  the  super-
           expensive lenses!” I heard him say.








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