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Table of Contents                                              xiii

           CHAPTER 12   WIRELESS FLASH AND ADVANCED FLASH TOPICS ................ 425
              12.1    INTRODUCTION ............................................................................ 425
              12.2    FLASH MODELS ............................................................................ 430
              12.3    BOUNCE FLASH ............................................................................ 433
               12.3.1   Diffusing your Light ............................................................. 435
              12.4    WIRELESS FLASH .......................................................................... 437
              12.5    AS SIMPLE AS IT GETS ................................................................... 440
              12.6    THE NEW WIRELESS PROTOCOL ...................................................... 443
               12.6.1   How to do Ratio Flash ......................................................... 447
               12.6.2   Advanced 2- or 3-way Ratio Flash ....................................... 450
              12.7    GROUPS AND CHANNELS ................................................................ 455
              12.8    WILL THE CONTROL BURSTS AFFECT EXPOSURE? ................................ 455
              12.9    MANUAL FLASH MODE.................................................................. 458
               12.9.1   To Put the 60 Into Manual Slave Mode ............................... 459
               12.9.2   To put the 43 into Manual Slave mode ............................... 459
              12.10   A PORTABLE STUDIO SETUP ............................................................ 460
              12.11   HIGH SPEED SYNC (HSS) FLASH....................................................... 461
               How it works ......................................................................................... 461
              12.12   TO PROBE FURTHER ...................................................................... 463

           CHAPTER 13   DRO AND HDR ..................................................................... 467
              13.1    DYNAMIC RANGE OPTIMIZATION ..................................................... 467
               13.1.1   How it Works ....................................................................... 469
               13.1.2   More DRO examples ............................................................ 473
               13.1.3   Frequently Asked Questions about DRO .............................. 473
               13.1.4   So When Does DRO kick in? ................................................. 477
               13.1.5   When DRO is bad................................................................. 478
               13.1.6   Combining with Sunset Image Style .................................... 479
               13.1.7   DRO on Your Computer ....................................................... 480
              13.2    HIGH DYNAMIC RANGE (HDR) ....................................................... 481
              13.3    DRO VS. HDR ............................................................................. 487

           CHAPTER 14   DIGITAL IMAGING TOPICS ................................................... 491
              14.1    INTRODUCTION ............................................................................ 491
              14.2    AN INTRODUCTION TO RAW .......................................................... 492
              14.3    THE BAYER FILTER AND DEMOSAICING .............................................. 494
              14.4    HOW YOUR CAMERA CREATES A JPG .............................................. 500
              14.5    RAW, TIF, AND JPG COMPARED .................................................... 502
              14.6    JPG COMPRESSION ARTIFACTS........................................................ 505
              14.7    ANY OTHER UPSIDES TO SHOOTING .JPG? ........................................ 508
              14.8    RAW PROCESSING USING RAWTHERAPEE AND NEATIMAGE ................. 509
               14.8.1   Step 1: Convert the RAW File ............................................... 510
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