Page 14 - Friedman Archives
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xiv                                             Table of Contents

               14.8.2   Step 2: Apply Noise Reduction ............................................. 513
              14.9    RAW PROCESSING USING LIGHTROOM 5 OR ADOBE CAMERA RAW 8.1 518
              14.10   IMAGE SIZE AND RESOLUTION ......................................................... 520
              14.11   “HOT PIXELS” .............................................................................. 521
              14.12   TETHERING OPTIONS ..................................................................... 522
               14.12.1   Remote Camera Control Software....................................... 523
              14.13   MEMORY CARDS .......................................................................... 524
               14.13.1   Some Background on MemoryStick Pro Duo ....................... 524
               14.13.2   Some Background on SD Memory Cards ............................. 527
               14.13.3   Memory Card Corruption Issues .......................................... 528
           CHAPTER 15   ADDITIONAL RESOURCES .................................................... 531

              15.1    INTERNET FORUMS AND DISCUSSION BOARDS .................................... 531
              15.2    25 WAYS TO “WOW!” E-BOOKLET .................................................. 533
              15.3    ADVANCED TOPICS 2 ..................................................................... 534
              15.4    AN INTRODUCTION TO SONY’S WIRELESS FLASH (VIDEO)...................... 535
              15.5    BOOKS ON OTHER CAMERAS .......................................................... 536
              15.6    WAYS TO “WOW!” WITH WIRELESS FLASH ....................................... 537
              15.7    CAMERACRAFT MAGAZINE ............................................................. 538
              15.8    THE FRIEDMAN ARCHIVES SEMINARS................................................ 539
               15.8.1   What Others Are Saying ...................................................... 541
              15.9    THE FRIEDMAN ARCHIVES BLOG ...................................................... 542
              15.10   THE ROAD TO CHINA ..................................................................... 542
              15.11   THE MAUI XAPHOON .................................................................... 544
              15.12   EPILOGUE ................................................................................... 545
           APPENDIX A  A CONDENSED GUIDE TO THE BASICS.................................. 547

              A.1     SHUTTER SPEEDS .......................................................................... 547
              A.2     F/STOPS ..................................................................................... 548
              A.3     ISO ........................................................................................... 550
              A.4     FOCAL LENGTH ............................................................................. 551
              A.5     TRADEOFFS ................................................................................. 551
              A.6     PROGRAM SHIFT .......................................................................... 552
              A.7     THE HISTOGRAM DISPLAY .............................................................. 554
              A.8     THE “SECRETS” OF LIGHT AND COMPOSITION .................................... 563
              A.9     WRITING WITH LIGHT .................................................................... 564
              A.10    COMPOSITION – THE RULE OF THIRDS .............................................. 566
               Out of place shot ................................................................................... 568
               Texture .................................................................................................. 568
               Classical Portrait ................................................................................... 570
               Environmental Portrait ......................................................................... 570
               “Hey, Look at Me!” ............................................................................... 570
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