Page 227 - Friedman Archives
P. 227

Long Exposure NR                                              227


           5.28     LONG EXPOSURE NR

           Menu Position  MENU      6  Long Exposure NR

           What it Does  Tells the camera to do a “Dark Frame Subtraction” on
           exposures taking longer than 1 second

           Recommended Setting:  On (unless you just can’t wait to shoot the next
           frame)

           Constraints   Not selectable when in continuous advance mode; not
           available in RAW


           This setting applies to Long Exposures, defined as those lasting more than
           one second (when your camera is on a tripod and Steady Shot is ideally
           turned OFF).  In such situations, digital image sensors tend to produce a lot
           of noise even though your ISO may be set to its lowest value.  All digital
           cameras  from  all  manufacturers  address  the  problem  in  pretty  much  the
           same way: They employ  -- in-camera  -- a technique called “Dark Frame
           Subtraction”.

           When Long exp. NR is set to “On” (which is recommended), the camera
           will take TWO pictures every time a shutter speed of 1 second or longer is
           used.    The  first  picture  is  of  your  subject  –  as  you  would  expect.    The
           second picture is taken with the shutter closed, removing all light from the
           sensor, resulting in a black picture which contains only the natural noise
           from the sensor at the same temperature, ISO setting, and duration as the
           first picture.  With this second “dark frame” picture, the camera has a clear
           idea of the kind of noise that is permeating the first picture.  And then it can
           remove (to a certain degree) this characteristic noise from the image you
           just took.  This technique is very worthwhile, BUT you are forced to wait
           twice as long until you can take your next picture.  This means if you had
           set the camera on a tripod at night and took an exposure of a meadow on a
           moonlit night, the camera would be unresponsive for twice as long as your
           set exposure as it captures the sensor’s noise for subtraction.

           People shooting fireworks just hate this feature, since to them this feature
           makes their camera “lock up” and they can’t do anything until it’s done –
           meanwhile,  the  best  fireworks  bursts  are  happening.    (That  will  increase
   222   223   224   225   226   227   228   229   230   231   232