Page 48 - Friedman Archives
P. 48

48                                         Essential Configuration




           2.6      MY PERSONAL CAMERA SETTINGS

           I know there are a lot of features to absorb and settings to understand with
           this camera.  And I’ll try to explain each one to you properly throughout the
           course  of  this  book.    But,  I  know  from  history  that  the  most  often-
           referenced  part  of  my  previous  books  has  been  “My  Personal  Camera
           Settings”, and so I’m including them up front here just to give you a jump-
           start and help walk you through some of the features at the same time.  Of
           course I change these settings a lot depending on what I’m shooting, the
           light  level,  and  the  effect  I  want  to  achieve.    But  these  represent  my
           “standard” configuration.


           Recording Menu     1

            Function             Setting
            Image Size           L:  24  M  (It’s  always  best  to  shoot  at  the  highest
                                 quality and resize later) (Section 5.1)
            Aspect Ratio         3:2 (I’d shoot 16:9 if I knew my work would only be
                                 seen on an HDTV.  But 16:9 actually chops off part
                                 of the picture.  More is better.) (Section 5.2)
            Quality              Usually  RAW+JPG  (although  for  casual  shots  I’ll
                                 shoot X.FINE. (Section 5.3).
            Panorama: Size       Wide.  (Available  only  when  Panorama  mode  is
                                 selected on the mode dial.) (Section5.4)
            Panorama: Direction   Either Right or Down depending on the aspect ratio
                                 I’d  like  to  get.    (Available  only  when  Panorama
                                 mode  is  selected  on  the  exposure  mode  dial.)
                                 (Section5.4)















               Contents of this book Copyright © 2014 Gary L. Friedman.  All rights reserved.
   43   44   45   46   47   48   49   50   51   52   53